Looking For The Perfect Beat

by stillmuzik

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about

In 1983, Afrika Baambata was 'looking for the perfect beat' with his band Soul Sonic Force.
30 years after, could he suspect that beatmaking could go so far, spreading all across the world ?
Everybody is looking for the perfect beat. Especially beatmakers.
As a tribute to Bambaata, this compilation has been trying to contribute to this quest combining the original skills of mad beatmakers.
Search for the loop, slice it, paste it, flip it, glitch it, make it right. Whatever the gear :  analog, mp3, digital, software, hardware, it doesn't matter as it sounds good.
Today's world beatmaking scene is very prolific, some producers are famous, some are getting famous, some work in the shadow of mc's, but everybody still looks for the perfect beat.
Dilla-ists, Pete-Rockians, Primo's addicts, Easy-Mo Beeists, whatever school they belong to, all of the beatmakers united in the volume I of this exclusive compilation brought the finest boombap we all love.

En 1983, Afrika Baambata était «à la recherche du beat parfait» avec le Soul Sonic Force.
30 ans après, qui aurait pu penser que le beatmaking serait allé si loin, se répandant aux quatre coins de la planète?
Chaque beatmaker est à la recherche du beat parfait.
Comme un hommage à Bambaata, cette compilation, à travers le talent original de ces artistes venant d'un peu partout, fait un état des lieux de cette recherche perpétuelle en 2013.
Quelle que soit le matériel utilisé: analogique, mp3, numérique, vinyle,
La manière finalement importe peu.
L'essentiel étant que ça sonne bien.
La scène du beatmaking à travers le monde est aujourd'hui très prolifique, Certains producteurs sont célèbres ou sont en train de le devenir, d'autres travaillent dans l'ombre d'un ou de plusieurs MCs, mais tous sont dans cette recherche du beat parfait.
Dilla-istes, Pete-Rockiens, disciples de Premier, Easy-Mo Bee-istes, quelle que soit l'école à laquelle ils appartiennent, tous les beatmakers réunis dans le volume I de "Looking For The perfect Beat" ont contribué à travers leur morceau à fournir une forme de réponse à cette quête.
Ils ont su surtout faire sonner à merveille ce boombap que nous aimons tant.

credits

released 04 June 2013

Tracks produced by :

"The Expo"
By KOOLADE from Zagred (Croatia)
Kontakt4 / Bass - Korg MS-20VSTi / UAD plugins / talk box

"WingSide Mind"
By SOMEPLING from Rennes (France)
MPC 2000XL

"G13 Amnesia"
By BEUS BENGAL from Pantin (France)
FL Studio / Akai S900

"Hands"
By ILLINGSWORTH from Detroit (USA)
Sony Acid 7.0 / microKorg

"Honk World War"
By SACHA DI MANOLO from Paris (France)
Pro tools / mpc 2000 xl/ roland sh 101 / roland jx 3p

"Pure Emptiness"
By HANDBOOK from York (England)
Maschine Abelton live / samples from youtube

"Pushing Buttons"
By BIOF from Paris (France)
Ableton Live / akai S3000 XL

"Paris By Night"
By ELAQUENT from Gelph (Canada)
SP 404

"The Moment"
By LARTIZAN from Paris (France)
Nuendo / asr 10

"Know You"
By TA-KU from Perth (Australia)
Fruty Loops

"Withoutchu"
By OHBLIV from Richmond (USA)
SP 404 SX

"The Manga Diggah"
By KYO ITACHI from Blanc Mesnil (France)
Mangekyou / Mpc 2000xl

"Up & Down"
By CHIEF from Lausanne (Switzerland)
Maschine / mini moog / juno 60 / SP 404

"Rebirth"
By SANEYES From Paris (France)
Cubase sx / VST instruments

"Jouneyon"
By SPACEDTIME from saffron walden (UK)
Renoise / Roland sp-606

"Plutony"
By KEOR METEOR From Clamart (France)
Cuts by DJ Ivan6
Reason / Pro Tools

"Queen"
By BHONSTRO from Las Vegas (USA)
Fl Studio / reason / akai mpk 61

Released June 04 2013
2013 Stillmuzik
Cover By Marone
Digital mastering by Clément "Liscious" Coll except "Up & Down" master by Chief.

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